Woodruff Arts Center's Saporta Report: Why An Art Gallery Is Never Just About What’s On Its Walls

Dear Friends,

I’m excited to share with you this column The Woodruff Arts Center requested for their Saporta Report:

Why An Art Gallery Is Never Just About What’s On Its Walls

Also, we hope you’ll join us this coming Friday, November 16th, 2018 from 7-10pm for the launch of:

RADIATE: A 10 Year Anniversary Exhibition

 
 

We are so grateful for your support and dedication to the arts over this last decade. Thank you to all the patrons, collectors, artists, curators, museums, corporations, consultants, and creatives that have come through our gallery doors. It is because of your support that we can continue on our trajectory to keeping art alive in Atlanta.

ARTFULLY,
YU-KAI LIN // INFO@KAILINART.COM // 404 408 4248

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Why An Art Gallery Is Never Just About What’s On Its Walls
KAI LIN ART's director, Yu-Kai Lin, looks back
on 10 years of leading the art gallery

Source

By Yu-Kai Lin, Director of KAI LIN ART

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10 years. 500 artists. 97 exhibitions. 27 states. 7,900 cups of coffee, and countless art-filled friendships, I’m so enthused to celebrate a major milestone this year with our Kai Lin Art family.

For 10 years, Kai Lin Art has been a gallery that embodies our mission to cultivating creativity, connection, and conversation through art. We are dedicated to promoting emerging and established artists in the Southeast and beyond. We do this through a uniquely accelerated exhibition calendar with new exhibits every six to eight weeks.

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If you had asked me back in 2008 where we’d be ten years from now, I might not have imagined the Kai Lin Art that it is today, with our expansive network of major institutions, museums, corporations, consultants, private collectors, and artists.

The only thing that remains constant is change, and because I consider myself a student and mentor of life, below are eight lessons I’ve learned during the last decade of building our community:

  1. Apply art as an equalizer: The hierarchical perception that art is something unattainable and needs a thesis to be understood is a misconception that should be diffused. Art is all around us, for all of us to share and to be celebrated. If you have a wall, you need art.

  2. Make creating a way of life: Everyone is creative, and we are all here to create. Everyday, we get the opportunity to create what we want to build in our lives so that we can feel a sense of connection, joy, and improvement.

  3. Find your tribe, build your tribe, expand your tribe: In our hyper-connected world we often don’t stop to realize that we are all a part of a larger ecosphere. We are spokes of a wheel and our lives influence all those in our sphere.

  4. Connect: Every connection, small or large, leads to more connections. Oftentimes we tend to discount the trivial conversations we have on a daily basis. Every encounter is an opportunity to build a more expansive network. Be mindful of how you choose to interact.

  5. Value relationships: The purpose of a gallery is so much more than just a space to collect art. We are continually building relationships and championing artists, nourishing one another so that creativity can flourish. Kai Lin Art is four walls containing and fostering the environment for growth. Besides exhibitions, we nurture community engagement through nonprofit events, fundraising, and celebrating life’s milestones.

  6. Make struggle a part of your progress: It’s only through struggle that we can attain success. Through the routine of our daily practice, I’ve discovered that success is not a destination but rather made up of many small victories. We grow through obstacles, and discover opportunities through challenges.

  7. Create the right environment: Everything communicates. For example, in preparation for every exhibit, we are collectively puzzle-solving. With anywhere between 40 to 80 pieces of art to curate during any given cycle, we set the intention to curate mindfully, so that from the moment you walk through our doors, the reception feels effortless.

  8. Be flexible: We have found success through adapting to the changing tides of our ever-evolving world. The more we hang on to things, the more elusive they become. The more we let go, the more opportunities we have for exploration and abundance.

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Building Kai Lin Art has been and continues to be one of my most rewarding experiences.

We hope to see you at our upcoming 10 year exhibition of “Radiate” featuring 75 artists on Friday, November 16th from 7-10pm and running through January 4th, 2019.

For more on our gallery please visit us at kailinart.com or 404 408 4248 or info@kailinart.com

RADIATE :: NOV 16, 2018 - JAN 4, 2019

RADIATE :: NOV 16, 2018 - JAN 4, 2019

OPENING FRIDAY, NOV 16, 2018
7:00 - 10:00 PM

FREE AND OPEN TO THE PUBLIC
EXHIBITION RUNS THROUGH JAN 4, 2019

Kai Lin Art is pleased to announce our final exhibition of 2018, RADIATE : A 10 YEAR ANNIVERSARY. Throughout the last decade, we’ve worked and exhibited over 500 artists from across the Southeast and beyond. In this retrospective, we have curated sixty artists from our stable to present artwork that best represents their aesthetic. Many of our Kai Lin Artists are creating fresh new artworks for this exhibition.

RSVP HERE

featuring the work of
70 Dot - Donna Howells, Alexi Torres, Amy Douglas, Andrea Garland, Andrew Catanese, Art Werger, Ashley L. Schick, Blockhead, Brad Johnston, Carl Janes, Carmen Rice, Cynthia Lollis, Dale Clifford, Erik Waterkotte, Fabian Williams, GREG MIKE, Gregory Noblin, Hannah Adair, Inkyeong Baek, Jaeyoun Shin, Jamaal Barber, KOFKE Jason Kofke, Jeremy Brown, Joe Camoosa, John Morse, John Tindel, Johnny Warren, Julio Ceballos, Kevin Palme, Landon Perkins, LarrY JENS Anderson, Lee Arnett, Lela BRUNET, Lisa Hart, Lucha Rodriguez, Lynx, Marc Boyson, Michael Elliston, mike lowery, Nate Damen, Nate Dorn, Niki ZarrabI, Patrick Heagney, Phil Harris, Roxane HollOSI, Sam Parker, Sanithna, Spencer Sloan, Steven Anderson, Stephen Philms, Tim Kent, Todd Anderson, Tracy Murrell, Trish LanD, Valentina Custer, Valerie Zimany, Wen Lin, Wesley Terpstra, Will Eskridge, Wyatt Graff, AND Yohey Horishita

We are so grateful for your support and dedication to the arts. Thank you to all the patrons, collectors, artists, curators, museums, corporations, consultants, and creatives that have come through our gallery doors. It is because of your support that we can continue on our trajectory to keeping art alive in Atlanta.

INFO@KAILINART.COM 404 408 4248

Rigby Ink Interviews Yu-Kai Lin - Gallery Owner Q&A

Yu-Kai Lin- Gallery Owner Q&A

Rigby Ink: source

Kai Lin Art opened its gallery doors in 2008 and over the course of ten years have grown to be one of Atlanta’s most engaging art spaces. The gallery hosts numerous group exhibitions throughout the year with new shows every six to eight weeks showing new and emerging artists. Kai Lin Art has been recognized by regional, national, and international publications for being on the cutting edge of art in America. The gallery has been selected as a Top 50 Cultural Destination in Atlanta by internationally renowned Wallpaper*Magazine and voted Best Gallery by Creative Loafing.

Behind the gallery name, Kai Lin Art is the owner and founder Yu-Kai Lin. Yu-Kai is a graduate of Emory University and is a long time participant in the Atlanta art scene. Some of his community partnerships include Cobb Energy Performing Arts Centre, Emory University, and The Savannah College of Art and Design. In 2018 Yu-Kai delivered a TedTalk, Living Creatively Through Art and Music and was also honored as Emory University’s Alumni of the Year. 

Rigby Ink visited Yu-Kai in his gallery in the Westside Arts District of Midtown Atlanta. There we discussed the community Yu-Kai has helped cultivate and the realities of gallery ownership. Within our first moments of meeting Yu-Kai, his dedication to his role as gallerist shines through with his words. Yu-Kai’s attention to minute detail, self-discipline and his dedication to the artists he supports are conveyed in the thoughts he shares with us. 

During our conversation with Yu-Kai he reflects on his experience opening Kai Lin Art, the success he has created, and his vision of the future.

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RIGBY INK- You majored in Art in Music-Piano Performance at Emory University. What attracted you to a career in the visual art community?

YU-KAI LIN- All art is similar and interchangeable in that we are creating to express connection, relationships, and our shared human experience. While I was at Emory, I took a hand full of art history courses from Modern Art to Italian Renaissance and I was intrigued by the intersection of culture as it relates to creation and aesthetics. There’s a symbiosis relationship found in art with all aspects of modern life from politics to religion, medicine to architecture. Visual arts is just one component of representing the shared social expression.

“In our brave new world of tumult and division, art is the highest form of hope”

RIGBY INK- How does your experience in music translate creatively into your role as a gallery owner?

YL- Art is therapeutic and music is an audible expression of our soulful intentions: hopes, aspirations, fears, uncertainty, dreams, etc. My music practice as a piano teacher informs all aspects of my practice of being an art gallerist. We are all in the ‘practice of’ our chosen fields and as a creative, it’s my role to push the conversation forward, bring more people into the fold, and create an ever-expanding network of artful enthusiasts. These enthusiasts can choose to take a piece of expression home in the form of a tangible piece of artwork that will transform and bring inspiration to their interior space. Art is a necessity of life and I’m grateful to be a part of the ecosphere of making art thrive in our city.

RIGBY INK- When opening Kai Lin Art, what problem were you solving for art in the Southeast?

YL- In 2008 I had worked in two other galleries throughout my early 20s and learned what to do, what not to do, and what I would do differently were I ever to open my own gallery. I wanted to create an environment of inclusion, of celebration, of connection and of kindness. A cultural convergence of creatives that needed a voice, space, and a champion to fill a void in our community. 

An art gallery is a reflection of society and the more galleries we have, the greater connection we feel with each other as an individual and collectively. Our space has become a center for not only the sale of art from creators making art across the Southeast, but the gallery is also an institution for people to spark their curiosities through the lens of art. With each exhibition, we host openings, performances, talks, fundraisers, non-profit events, dinners, birthdays, weddings, etc. I’m grateful to be a catalyst for that connection.

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Artist Lela Brunet

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Artist Blockhead

RIGBY INK- Kai Lin Art has been open for ten years now while many other galleries have come and gone. To what do you attribute the success of the gallery?

YL- I feel that longevity is proportionate to diligence. A gallery is a place people come to shop for art. Our collectors who’ve had a great experience continue to come back, bring their friends, and keep up with the lives of our artists and what they’re creating. As a docent of art, I try to inspire others and teach people about the importance of what it is they’re seeing. We are all like pebbles in a river floating downstream. Each of our lives changes the course of the river through our actions and intentions. 

RIGBY INK- Kai Lin Art hosts several exhibitions each year and in addition to private collectors, your clients include The High Museum, Coca-Cola, and Fox Broadcasting to name a few. How have you built the reputation of the gallery to establish these relationships?

YL- I’m grateful and humbled by the support of all the organizations, corporations, institutions, and individuals that we’ve worked within the last decade. With every conversation, connection, and collaboration, we are co-creating and manifesting. It starts with the art. We have artwork that is compelling, exquisite, reasonably priced, and that people want. We are here to serve the artists that make our gallery what it is and the collectors that need art to fill their walls with inspiration. 

RIGBY INK- During your Ted-Talk, you shared the importance of structure and planning in the lives of creators. You said, “plan so that you can play” which really resonated with me. These days we hear the term “self-care” quite frequently, however few people associate responsibility as a means to self-care. When thinking of successful artists that you’ve worked with, what are some of the attributes or characteristics that come to mind?

YL- It’s important to plan free time into your day whether it’s doing something active like taking a walk or running to reading a book, writing or meditating. Unrestricted free time allows our imagination to create new realms of possibilities of what it is we’d like to create in our lives. What makes a successful artist is being persistent, mindful, mindless, creative, connected, networked, collaborative, thoughtful, curious, conversant, obsessive, constricted, free, adaptable, resilient, able to take criticism, an active listener, patient and kind.

RIGBY INK- Looking back over the ten years of Kai Lin Art, what are you most proud of?

YL- I have so much gratitude for my life and the opportunities and experiences thus far. It’s a beautiful world filled with wondrous, luminous, soul-inspiring creations. I’m most proud that I’ve made a positive impact in the lives of others through art. In our brave new world of tumult and division, art is the highest form of hope. Artists are always on the precipice of change and transformation. It’s through our creative lens that we can shift staid beliefs, opinions, mindsets and elevate one another to new planes of understanding, connection, and progression. 

RIGBY INK- In what ways would you like to see Kai Lin Art grow?

YL- I’d like to continue our trajectory on the path we’ve built. To maintain, sustain, and flourish into the next level. We have great art/artists and a great network of collectors, museums, designers, consultants, decorators. To keep going, to keep growing, to keep learning, to keep our artists thriving, not merely surviving. I would like for us to continue to make art happen and adapt to the ever evolving, ever changing, ever expanding, endlessly abundant creative spirit that’s inside all of us. 


We hope to see you at our upcoming 10 year exhibition of “Radiate” featuring 75 artists on Friday, November 16th from 7-10pm and running through January 4th, 2019.

For more on our gallery please visit us at kailinart.com or 404 408 4248 or info@kailinart.com

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THE ART OF INFINITY

Dear Art Aficionados,

We are excited to share The Art of INFINITY featuring 19 female artists now on exhibit at the gallery. The show features:

70DOT, HANNAH ADAIR, INKYEONG BAEK, LAUREN BETTY, CLAIRE CARSWELL, VALENTINA CUSTER O’ROARK, MAGGIE DIMMICK, GWEN GUNTER, LISA HART, ROXANE HOLLOSI, STEPHANIE HOWARD, ALLISON JAMES, CHRISTINA KWAN, ASLEE LIVINGSTON, LYN MONTAGNE, CARMEN RICE, LUCHA RODRIGUEZ, EMMA J. STARR, AND HANNAH SURACE

Please connect with us at the gallery if you are interested in any of the works from the show. We hope to see you!

ArtfuLly,
Yu-Kai Lin // info@kailinart.com // 404 408 4248

For inquiries into availability contact the gallery at 404 408 4248 or info@kailinart.com

INFINITY exhibition photos :: through Nov 9 @kailinart

We are excited to share with you our exhibition photos from our latest show INFINITY featuring 19 female artists:

70DOT, HANNAH ADAIR, INKYEONG BAEK, LAUREN BETTY, CLAIRE CARSWELL, VALENTINA CUSTER O’ROARK, MAGGIE DIMMICK, GWEN GUNTER, LISA HART, ROXANE HOLLOSI, STEPHANIE HOWARD, ALLISON JAMES, CHRISTINA KWAN, ASLEE LIVINGSTON, LYN MONTAGNE, CARMEN RICE, LUCHA RODRIGUEZ, EMMA J. STARR, AND HANNAH SURACE.

For inquiries into availability contact the gallery at 404 408 4248 or info@kailinart.com

For inquiries into availability contact the gallery at 404 408 4248 or info@kailinart.com

INFINITY :: Sept 28 - Nov 9, 2018

INFINITY

SEPTEMBER 28 - NOVEMBER 9, 2018

Opening on Friday, September 28
7:00 - 10:00 pm
exhibit runs through November 9th

Kai Lin Art is pleased to announce our exhibition: INFINITY. This exhibition is a curated group show of nineteen female artists working in a range of styles and mediums. In continuation of our core values of inclusion and equal representation, Kai Lin Art has invited several new and returning voices to the gallery in a effort to represent an often-minimized perspective within the art community and at large.  

The styles and subjects of artworks in INFINITY range from playful interpretations of architecture to the abstraction of the natural world. Other works focus around explorations of the mind’s psychological tendencies and obsessions. Techniques and materials range from painting and printmaking to textile design and interdisciplinary practices.

INFINITY FEATURES THE WORK OF : 70DOT, HANNAH ADAIR, INKYEONG BAEK, LAUREN BETTY, CLAIRE CARSWELL, VALENTINA CUSTER O’ROARK, MAGGIE DIMMICK, GWEN GUNTER, LISA HART, ROXANE HOLLOSI, STEPHANIE HOWARD, ALLISON JAMES, CHRISTINA KWAN, ASLEE LIVINGSTON, LYN MONTAGNE, CARMEN RICE, LUCHA RODRIGUEZ, EMMA J. STARR, AND HANNAH SURACE.

SUBLIME :: closing reception + performance

Dear Friends,

We are excited to invite you to our Closing Reception of SUBLIME featuring Elliston Roshi, Lela Brunet, Jeremy Brown, Blockhead, and Phil Harris this coming Thursday, September 20th, 2018 from 7:00 - 9:00PM.

SUBLIME
closing reception + performance by: A PICTURE
THURS, SEPT 20, 2018
7:00 - 9:00 PM
RSVP HERE

Also we have been nominated by CREATIVE LOAFING for the BEST GALLERY 2018! Please vote by clicking here!

Join us the following FRIDAY, SEPTEMBER 28th for the opening of INFINITY: a group exhibition featuring 19 female artists: 70DOT, HANNAH ADAIR, INKYEONG BAEK, LAUREN BETTY, CLAIRE CARSWELL, VALENTINA CUSTER O’ROARK, MAGGIE DIMMICK, GWEN GUNTER, LISA HART, ROXANE HOLLOSI, STEPHANIE HOWARD, ALLISON JAMES, CHRISTINA KWAN, ASLEE LIVINGSTON, LYN MONTAGNE, CARMEN RICE, LUCHA RODRIGUEZ, EMMA J. STARR, AND HANNAH SURACE.

Artfully,
Yu-Kai Lin
KAI LIN ART // 404 408 4248 // info@kailinart.com

THE ART OF ELLISTON ROSHI

Disciplined artist and director of the Atlanta Zen Center Elliston Roshi paints flowingly abstract artworks on plexiglass and gesso panel. Framed together, the two paintings become one in an overlapping harmony of colors and shapes inspired by musical abstraction and zen. The newest series by Roshi introduces singular geometric forms to contrast with the organic, flowing movements of color and creates the perception of depth and distance in the artworks. 

For inquiries and availability, contact our gallery
404 408 4248 or info@kailinart.com

 

For inquiries and availability, contact our gallery

404 408 4248 or info@kailinart.com

THE ART OF LELA BRUNET

Dear Friends,

We are excited to invite you to our upcoming ARTIST MIX + MINGLE followed by a talk on WEDNESDAY, SEPTEMBER 5TH from 5:00 - 7:00PM. Please join us for a Happy Hour cocktail and mingle with the five artists of SUBLIME ::
Jeremy Brown  Elliston Roshi  Lela Brunet  Blockhead  Phil Harris

ARTIST MIX + MINGLE
Wednesday, SEPTEMBER 5TH, 2018
5:00 - 7:00 PM
RSVP HERE

Also we've been nominated by CREATIVE LOAFING for BEST GALLERY of 2018: Please vote by clicking here!

The Art of Lela Brunet
The highly sought after and prolific multimedia artist and muralist Lela Brunet has developed a new series of goddesses and sirens for SUBLIME. Combining modern and graphic patterns with a multitude of mixed media practices in addition to influences from her multicultural upbringing, Brunet has continued her affinity for depicting powerful female icons and deities from cultures around the world. The works of SUBLIME draw inspiration from the canonical Hindu goddesses such as Devi and Kali as well as introducing a smaller series of collectable, abstracted florals. 
EXHIBIT RUNS THROUGH SEPTEMBER 21, 2018

Artfully,
Yu-Kai Lin
KAI LIN ART // 404 408 4248 // info@kailinart.com

The Art of Jeremy Brown

Resident Kai Lin Artist Jeremy Brown creates a fresh collection of his signature layered resin works. Part of Brown’s aesthetic is derived from the complex, layered, out of the box nature found in street art. He uses unconventional materials such as aerosols, concrete, and custom neon light fixtures. The works of SUBLIME are influenced by the nature of memories and recreation and make use of found objects by integrating them directly into the artwork. All of Brown’s pieces are held together through a strong interest and care for humanity and compassion.

For inquiries and availability contact the gallery at 404 408 4248 or info@kailinart.com

EXHIBIT RUNS THROUGH SEPTEMBER 21, 2018

SUBLIME :: opening photos

Dear Friends,

We are so pleased to share with you the photo gallery to our latest exhibition of SUBLIME featuring all new artwork from Jeremy Brown, Lela Brunet, Elliston Roshi, Blockhead, and Phil Harris:

SUBLIME :: opening photos

We hope you'll come by for a visit to the gallery to see the exhibition. Our show will run through September 21st and we will be hosting an Artist Talk later in the month. For inquiries and interest in the art please connect with us at the gallery 404 408 4248 or email info@kailinart.com

Artfully,
Yu-Kai Lin // info@kailinart.com // 404 408 4248

SUBLIME | August 3 - September 21

Kai Lin Art is pleased to announce the opening of SUBLIME, our sixth exhibition of 2018. Featuring new artwork from Jeremy Brown, Lela Brunet, Elliston Roshi, Blockhead, and introducing Phil Harris, SUBLIME brings dynamic abstract paintings on resin, plexiglass, and paper into the gallery in addition to the uniquely collectible sculptures of Blockhead. Each artist has collaborated together on multiple artworks making this exhibition simply sublime.

SUBLIME
OPENING RECEPTION FRIDAY, AUGUST 3, 2018
7:00 - 10:00 PM

FREE AND OPEN TO THE PUBLIC // EXHIBITING THROUGH SEPTEMBER 21, 2018
download press release

sublime /səˈblīm/ of such excellence, grandeur, or beauty as to inspire great admiration or awe. synonyms: elevated, awe-inspiring, majestic, magnificent, glorious, superb, wonderful, marvelous, splendid.

Resident Kai Lin Artist Jeremy Brown creates a fresh collection of his signature layered resin works. Part of Brown’s aesthetic is derived from the complex, layered, out of the box nature found in street art. He uses unconventional materials such as aerosols, concrete, and custom neon light fixtures. The works of SUBLIME are influenced by the nature of memories and recreation and make use of found objects by integrating them directly into the artwork. All of Brown’s pieces are held together through a strong interest and care for humanity and compassion.

The highly sought after and prolific multimedia artist and muralist Lela Brunet has developed a new series of goddesses and sirens for SUBLIME. Combining modern and graphic patterns with a multitude of mixed media practices in addition to influences from her multicultural upbringing, Brunet has continued her affinity for depicting powerful female icons and deities from cultures around the world. The works of SUBLIME draw inspiration from the canonical Hindu goddesses such as Devi and Kali as well as introducing a smaller series of collectable, abstracted florals. 

Disciplined artist and director of the Atlanta Zen Center Elliston Roshi paints flowingly abstract artworks on plexiglass and gesso panel. Framed together, the two paintings become one in an overlapping harmony of colors and shapes inspired by musical abstraction and zen. The newest series by Roshi introduces singular geometric forms to contrast with the organic, flowing movements of color and creates the perception of depth and distance in the artworks. 

Blockhead is a pseudonym invented by Chris Skeene as a way to explore the thriving free art scene in Atlanta. Inspired by his collection of Pez and blind box art toys, Chris uses blockheads to bring variety to the repetition of a singular form. Though much of the inspiration for his work are from machine-made items, blockheads are each hand-carved and painted, thereby highlighting the individuality and uniqueness of each piece. Chris also extends the unique nature of the figures by inviting collaborators to bring their own styles to the blank canvas of a carved blockhead. Collaborations include Blockheads painted by SUBLIME artists Lela Brunet and Phil Harris and Atlanta artist Niki Zarrabi. 

FRESH artist Phil Harris joins Kai Lin Art with a new series of works for his first exhibition at the gallery. Harris’ work takes the colors and feelings of pop culture and music as a starting point for complex, detailed and geometrically layered abstract paintings on plexiglass. Each work is a dual painting of two plexiglass panels sandwiched together. His signature concentric semi-circles dominate the front panels with beautiful surfaces and unique combinations of colors and patterns while underneath the translucent pane a loose and dynamic aerosol painting creates the moody atmosphere. Harris has collaborated with Lela Brunet, Blockhead and Jeremy Brown for three separate partnerships of style and artwork for SUBLIME. 

The New South III :: PHOTOS & MIX + MINGLE :: Saturday, July 21

Dear Friends,

We are overwhelmed with the support and turnout from our last exhibition opening of The New South III. Below you will find pictures from the opening!

We hope you'll join us on this coming Saturday for our
THE NEW SOUTH III
MIX + MINGLE

July 21st, 2018
4:00 - 6:00pm

RSVP HERE

Enjoy the photos and see you on Saturday!

ARTFULLY,
YU-KAI LIN
KAI LIN ART // 404 408 4248 // INFO@KAILINART.COM

 
 

TEDX EMORY: Living Creatively Through Art + Music : Yu Kai Lin

Yu-Kai Lin, Living Creatively Through Art and Music

Yu-Kai Lin founded the contemporary art gallery Kai Lin Art in 2008 in Atlanta, Georgia. The gallery has been recognized by regional, national, and international publications for being on the forefront of art in America. Yu-Kai has collaborated with artists, architects, designers, and art consultants to curate exhibitions and build collections for major cultural and corporate institutions including the High Museum of Art, the Atlanta Hawks, Coca Cola, Whole Foods Market, Turner Broadcasting System as well as supporting a growing network of nonprofits and start-ups.

Yu-Kai is a professional pianist, with a Bachelor of Arts in Music from Emory University. He performs frequently across the city and has an established private piano studio for children and adults. Yu-Kai has been honored by numerous organizations including being named 40 Under 40 by Atlanta Business Chronicle, one of Georgia’s Most Creative Atlantans by Common Creativ, and Emory University’s Alumni of the Year.

This talk was given at a TEDx Emory in February 2018 at Emory University.

THE NEW SOUTH III : exhibition photos

Dear Art People,

Below you will find images from our installation of The New South III which will be on exhibit @kailinart through Friday, July 27th. We are hosting an Artist Mix + Mingle on Saturday, July 21st from 4-6pm!

THE NEW SOUTH III WORKS

We hope you'll come by the gallery to see our exhibition. Please connect with us if you have an interest in collecting any of the pieces from the show. 

Happy Summer!
Artfully,
YU-KAI LIN
KAI LIN ART // 404 408 4248 // INFO@KAILINART.COM

The Art of The New South III

Dear Friends and Patrons,

Thank you to everyone who came to our opening of The New South III this past Friday. The outpouring of love and connection was phenomenal and we are so grateful. 

The exhibit will run through July 27th and we will be hosting an
ARTIST MIX + MINGLE
Saturday, July 21st

Below you'll find The Art of The New South III featuring 60 artists from across the Southeast. Please connect with us if you have an interest in collecting any of the works or come by to see the show!

Yu-Kai Lin
KAI LIN ART // 404 408 4248 // info@kailinart.com

THE NEW SOUTH III :: June 22 - July 27

 
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THE NEW SOUTH III
OPENING :: FRIDAY JUNE 22, 2018
7:00 - 10:00 PM
FREE AND OPEN TO THE PUBLIC
exhibiting through July 27

The New South III June 22 - July 27, 2018 | Kai Lin Art is proud to host our third annual juried exhibition of works on paper, The New South III. The show explores the contemporary South through the perspectives of 60 artists living and working throughout the Southeast. From over 1,000 submitted artworks, 75 pieces were selected for the exhibition.

Overseeing the selection process this year are our jurors Justin Rabideau, Director of The Bernard A. Zuckerman Museum at Kennesaw State University and Larry Jens Anderson, Professor of Art at The Atlanta College of Art & SCAD-Atlanta.

FEATURING THE ART OF:
HANNAH ADAIR, PRISCILLA ALARCON, ROSE M. BARRON, STEVEN ANDERSON, MARIE PORTERFIELD BARRY, BRENDAN BAYLOR, RITA BAZINET, FAYE BELL, MARC BOYSON, LANNY BREWSTER, SAMANTHA BURNS, HANNAH BURTON, SIERRA BUSH, JOE CAMOOSA, JENNIFER CANTLEY, JULIO CEBALLOS, MADISON CLARK, JOE CORY, PHILIP CRAWFORD, COLLEEN CRITCHER, MICHAEL CROUSE, VALENTINA CUSTER O’ROARK, DAN DIXON, JOSEPH DREHER, SABRE ELSER, DEBBIE EZELL, SUE FOX, ANDREA GARLAND, ASHLEY GREGG, GWEN GUNTER, JULIE HENRY, MAXINE HESS, ROXANE HOLLOSI, MARK HOSFORD, ALEA HURST, COURTNEY KHAIL, AXELLE KIEFFER, JAMIE KIM, LAILA KOURI, CHRISTINA KWAN, TRISH LAND, JESSICA LOCKLAR, RY MCCULLOUGH, CASEY MARK MCGUIRE SCHOON, LYN STERLING MONTAGNE, ANDREW MUNOZ, MADISON OSBORNE, COKI PANDA, CHR!S REEL, FLORA ROSEFSKY, NELL RUBY, RICHARD SOLOMON, EMMA STARR, HANNAH SURACE, CHADWICK TOLLEY, ALEXI TORRES, KATIE TROISI, ANNEMARIE WILLIAMS, REBECCA YOUNG, VALERIE ZIMANY

In The Studio with Kevin Palme

1. Tell us a little bit more about yourself, your background school/teaching and how you found your way to Asheville?

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I grew up in NJ about an hour from New York City and attended Wake Forest University as an undergraduate. The art program there was small but had great professors who pushed me to refine my craft and my inquiry into my work. After school, I moved to Portland, OR for a couple of years and got to spend a lot of time hiking and taking in a different part of the country. We loved it there but ultimately, the rainy season was a bit too long and we moved back east to Savannah, GA where I attended the Savannah College of Art and Design for my MFA in painting. At SCAD, I met great artists and instructors who really helped me understand what my work was about and why I was making it. Following our time in Savannah, we moved to Asheville, in 2003, and have been here since. Asheville made sense for us for a lot of reasons, it was a midpoint between the north and south (my wife grew up in the southeast) and we had both gone to undergrad in NC. We had a few friends here who sold us on what a great town it is. It is not too large but offers some of the advantages of living in a city. But maybe most importantly, Asheville has a great reputation as an arts town. There's a rich history here as we live just 20 minutes from Black Mountain, the site of Black Mountain College. Its influence can still be felt today in the thriving and vibrant art community here.

2. Describe your process and why you've chosen ice cubes to paint.

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My process is more traditional than I used to imagine it would be. I was fortunate to have the opportunity to work with a few professors who really understood traditional painting and how many of the masters approached the chemistry of painting. Additionally, I had the chance to teach Art History for a few years at a local community college. Both of these experiences led me to question my own methodology and approach to painting and gave me a deep appreciation for traditional materials and techniques. So, I paint using formulas derived from Renaissance era painting to create transparent layers of paint to create complex and jewel-like color. That said, I don't work using only natural light or strictly from life and I use drying agents to help move my process forward.

I build, stretch, and prime my own canvases because I view those beginning stages of working like building the foundation of a house. It's a very physical and tactile part of the process and I really enjoy it. Typically, each canvas gets four to six layers of gesso to begin to create a good working surface that buries the canvas texture. Then, several layers of transparent paint are applied in increasingly refined and smooth applications, always careful to use good chemistry, to create a minimal field of color and atmosphere. At this stage, I am establishing a visual sense of depth in the picture plane while reinforcing the flatness of the surface. It's a dichotomy that I employ and one of my traditional holdovers from classical painting; the image is flat but is an illusion of depth. The ice cubes are painted during the latter stages of painting and I work using the light rather than the shadows. The negative space provides the darkness and I am adding light. This idea of painting the light is both practical and ideological for me. Working from photos that I have taken, I work broad areas of value and add increasing detail, beginning with larger brushes and ultimately ending with very small brushes. Often, I glaze back over the top of the ice cubes to bury them into the atmosphere of the canvas and then repaint them, almost as if I painted the back half of the cubes and then the front half.

3. Your work explores the temporal nature of existence. What are your thoughts on life as it relates to art and the meaning of it all?

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I began painting ice cubes a few years ago after a conversation with my wife. I had painted minimal abstraction for several years and was considering a shift in my work. I landed on ice cubes for a couple of reasons. Formally, ice offers a great challenge in terms of values, pattern, and painting a representational image of a transparent and translucent object. Subjectively, ice is a great metaphor for a variety of ideas and can take on numerous meanings depending on the viewer reading the work.

A major part of the reason that I am painting ice is the temporal nature of life and the idea that ice is fundamentally temporary. It melts and changes forms really quickly so the idea of painting it is interesting to me in that I am laboring over a mundane and temporary subject. In the paintings, ice can be a metaphor for a person, a building, a society, the environment, all of which are temporary even though we sometimes take that for granted and treat life as though it's permanent. The fact is that life is always changing and these paintings capture a moment in time; in that way, they become memorials or at least memories.

4. Do your children influence your art practice?

I have three daughters and while I would love to say that they influence my work, I am not sure I could say that fairly. They often make suggestions about what I should paint or what color I should use, and I am always ready to hear their feedback. While they may not directly impact my work in an overt way, they're an important part of who I am and must subconsciously affect the work. They do sometimes come to the studio with me, especially during the summer, and paint while I work which can be really fun.

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5. What does beauty mean to you?

Beauty is really important to my work and has been for several years. Of course, beauty is extremely subjective, but I still feel like its worth pursuing in my work. As I was learning art history in more depth as an undergraduate, I saw so much work that seemed to deal with an anti-aesthetic as a challenge to the conventions of the artworld and to taste. That certainly has its place in the artworld, but for me, my work is a means of establishing a connection with a viewer based on something beautiful. In that sense, it is an act of hope or compassion when I make something that I hope is beautiful.

6. Do you have any suggestions for emerging artists that are coming out of art school?

Work hard, be disciplined, and if possible, find a community of artists. One of the most difficult things about leaving school and beginning a career as an artist is that there aren't assignments or a community to keep young artists producing. It can be challenging to come up with ideas and deadlines. Set up goals to make a certain number of pieces in a given time or to work for a specific number of hours each week and stick to it. I am fortunate to work in a group studio where we hold each other somewhat accountable. Ultimately, there are no consequences, but the expectation is that we will be there on a regular basis and will be pushing hard to create new ideas and new work.

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7. Tell us something interesting about yourself!

I wanted to be a brain surgeon and thought I would go pre-med before deciding to major in art but couldn't see myself studying that much chemistry.

8. Where do you see the progression of your work heading?

I never really know where the work is going in the long term. I think I'll probably paint ice cubes for at least a little while longer because there are so many opportunities to take the work in a variety of directions that I don't see myself getting bored with it. Most importantly, I see myself continuing to push my ideas and practice to keep improving. My goal is to treat art-making as a lifelong path where one work or one series of works leads to the next so that over a long period of time, a thread emerges and defines my life's work. And hopefully, at the end of it, the work is still getting better.

See Kevin Palme's paintings in person at Kai Lin Art as a part of Magic through June 16th
12:00 - 6:00 PM Wednesdays - Fridays
12:00 - 5:00 PM Saturdays
& by appointment


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